Episode 40: Honestly Loving Olivia Newton-John

It was the early 70s, before there were laws about kids and seat belts and things like that, so when I went with my mom to run errands, I had to slide onto the bench seat in the front and if that seat was too hot from baking in the sun, I would kind of hover of the seat for a few minutes before lowering myself on it. If you know, you know. My view on these drives was the car radio, which was AM only but had these big silver knobs, one for tuning and one for volume. There were 5 or 6 push button presets and I was not allowed to touch any of this but the power my mom had, a twist of the dial here, a push of the button there and boom there she was…the soft rock queen, Olivia Newton-John.

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Episode 39: American Top 40: Keeping Our Feet on the Ground and Reaching for the Stars (Part 1)

American Top 40 was not going to eliminate any songs, although they did shorten songs as singles more routinely grew to be longer than the traditional three minutes. That will eventually lead to adding a fourth hour to the show. They also edited the word “shit” out of Bob Dylan’s “George Jackson” and issued a warning about the word “crap” in Paul Simon’s “Kodachrome.” Affiliates could edit out songs if they wanted to, but AT40 was not going to do that. Some affiliates, for example, would not play “My Ding-a-Ling” by Chuck Berry because of, well, his reference to his ding-a-ling.

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Amy Lively
Episode 37: Philly Soul and the Sound of the 70s

…this, from journalist Jim Farber in 2021 is a more than apt description: It is a mixture of creamy strings, punching horns, snaking bass lines and fulsome melodies all combined to create something at once complex and light – a sonic soufflé fired by soul. Or, we could simply go with Bobby Eli, producer and guitarist, said the Philadelphia Sound is “funk dressed in a tuxedo.”

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Episode 35: Cosmic American Music: 70s Country Rock

If you got an invitation to the release party for “The Gilded Palace of Sin,” you also got a package of hay. It was a publicity stunt, designed to signal “country” but it was tested to see if it might be marijuana, at the suggestion of the US Postal Service. But nope. No pot, just hay -- but the publicity and the image that it created -- Bob Proehl, the author of a book on “The Gilded Palace,” wrote, “the media buzz the seizure created was better than anything the A&M marketing department could have dreamed up. Before anyone had heard a note of the album, the Burrito Brothers had the exact image A&M wanted: psychedelic cow-punks, drug-addled.”

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Episode 32: Take Me to Church: Religion in 70s Popular Music

“Parallel to my musical career I’ve always been on a spiritual sojourn, looking for truth and meaning. It was a song of self-encouragement. I was telling myself to keep on looking and I would find what I sought.” — Kerry Livgren on “Dust in the Wind” by his band, Kansas

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Episode 30: The Sweet Sounds of Bubblegum Music of the 70s

“…when you watch film footage of David singing this song that he resisted but so many people loved, you would never know he was ambivalent about it -- at least them. ‘It’s a high going out on that stage. You look around and it’s all there for you, people loving you like that.’”

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Episode 27: That's Entertainment! TV Variety Shows of the 70s

Is there anybody out there who could pull off a musical comedy variety show nowadays?

“Nobody. It’s not possible because the audiences got to the point where the desire is on reality and the desire is on shock. And the Donny & Marie Show was (built) on simplicity and innocence, and we just don’t have that anymore. Nobody could pull that off — not even Donny and Marie” — Donny Osmond

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Episode 26: Starmen: Glam Rock of the 70s

“I have no message whatsoever. I really have nothing to say, no suggestions or advice. All I do is suggest some ideas that will keep people listening a bit longer. And out of it all, maybe they’ll come up with the message and save me the work.” — David Bowie

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Amy Lively