Episode 7: Women who Rocked the 70s

The ‘girl’ thing seems to be real important for other people but I’m mystified by it. For me, Brass In Pocket was supposed to be real traditional, because tradition in rock is what turns me on. We want our rock singers to be confident and cocky, and Brass In Pocket was an act, my attempt to write a song that sounded like that.” — Chrissie Hynde

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Episode 6: The 70s Roots of Hip Hop

Nile Rogers said in an interview with Red Bull Music Academy in 2011 that he and Bernard Edwards realized that with Good Times, they had the “perfect hip hop record because the break down took so long to develop that they could have rhymes that could go on forever…” He said for Chic, the song was just the excuse to go to the chorus and the chorus was just the excuse to go to the breakdown.

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Episode 4: The Music of the Sexual Revolution in the 70s

“Lady Marmalade” helped create a shift of perception, seducing nations into singing along to a proud, unfettered sexuality from the Black female POV. The trio channeled Lady M.’s erotic ferocity in the spirit of Ralph Ellison’s “Change the Joke and Slip the Yoke,” blowing up the racist Jezebel stereotype by flaunting their sexual agency with the roar of a three-headed lioness. — Adele Bertei

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Amy Lively
Episode 2: Countryish Music of the 1970s

Fueled by a few too many gin and tonics, Charlie Rich announces that John Denver is the CMA Entertainer of the Year but it does not end there. He reaches into his pocket, takes out a lighter, and sets the card on fire. Fortunately, John Denver was appearing via satellite from Australia and did not see it but a whole lot of other folks did. Charlie said it was an accident and blamed it on some painkillers but given the state of country music in 1975, it seemed too obvious of a statement to ignore. That statement was that the likes of John Denver were not welcome in country music.

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